Sophisticated, subtle, and always on point, the Nude cushion is your go-to neutral with just enough edge to turn heads. Straddling the line between blush and beige, this handcrafted cushion adds effortless elegance to any room. The tonal brush fringe – a shade deeper for depth and contrast – brings a glamorous finish to this otherwise understated piece.
Designed and made in Melbourne, Nude is a favourite among interior stylists for its ability to adapt to any home decor palette. It’s the kind of piece that ties your room makeover together – softening a modern space or balancing a bold colour story.
Available in:
50 x 50 cm with tonal brush fringe
50 x 50 cm with matching self-piping
35 x 50 cm with matching self-piping
A true essential in any cushion covers collection – timeless, versatile, and designed to impress. Add the Evolve Lipstick Cushion for a pop of tonal colour!
| Size | 50 x 50 |
|---|---|
| Style | Rose Fringe, Self Piping |
$149.00
Not quite blush, not quite beige—Nude is that effortlessly chic, goes-with-everything shade. But add the deeper tonal brush fringe, and suddenly, it’s the most glamorous neutral in the room. Handcrafted in Melbourne, Nude is available in 3 options.
Please note: Each cushion is custom-made to order and may take up to 2 weeks to arrive.
Sustainability is at the heart of this collection. The standard sizing of the collection means you can reuse your existing inserts, or if you don’t quite have the right size you can purchase them with your cushions.
Feather inserts are always my preference. They settle beautifully, hold their shape, and give you that relaxed, slightly imperfect finish that makes a room feel considered rather than overly styled. They’re also far more comfortable, which matters more than people expect. Fibre inserts have their place. They’re more affordable, lower maintenance, and a good option if allergies are a concern. But they do tend to sit a little firmer and can lose their shape more quickly, which means they rarely achieve that same soft, lived-in feel.
